Women, wine and cards. From Strehler to Dino Risi, from "L’ombrellone" to "Anonimo veneziano", the story of a reclusive figure in the Italian entertainment world. An actor capable of blending arrogance and melancholy, awkwardness and seduction, with the weight of a youth never truly lost. A life without restraint

There is perhaps no other Goldoni comedy in which the World bursts onto the stage with such impetuosity and such harmonious ensemble, all at once. So many characters – about fifteen – so many scenes taking place simultaneously; a comedy of chatter with many voices chasing one another, overlapping – utter chaos. Performed on one of the final evenings of Carnival at the Carignano theatre 

“Wahlverwandtschaften” is the dream of a thirty-year exhibition that is finally taking shape through the work of twenty-four photographers – fourteen women and ten men – who, without ever meeting or knowing one another, have captured the same image on different continents, in different eras and in different styles

From the last public hanging in 1936 to Hegseth’s plan to broadcast the execution of the Fort Hood terrorist live – a plan later halted by Trump. Ninety years of American history tell the story of attempts to conceal the death penalty without abolishing it. And the resurgence of the temptation to turn justice into a spectacle of vengeance

In the theatre, we laugh and we cry because it stems from the observation of human beings and is for human beings. For our frailties. Just as the Portuguese director Tiago Rodrigues managed to do so splendidly and movingly in his production “Il coro degli amanti”, recently seen at the Piccolo Teatro