Whilst the conflict on the ground and naval traffic appear to have come to a standstill, Iranian threats are making themselves felt: thus, revenge takes on a political dimension

The choir of the Jewish state in Ghila Piattelli’s “Ovunque si casa”, which almost entirely eschews current political issues to tell the story of a country built on memory, human relationships and individual wounds

The Israeli artist chose not to be deterred by the threats and brought a pool of water into the Arsenale pavilion: “The pool represents the Talmud, the trails left by the drops represent scripture, and the drops themselves represent the tears shed by the Jewish people over the past nearly three years, following the still-open wound of 7 October.”