Fiction? Reality? It doesn’t matter; what matters is that it reflects our moral sentiment

The investigative journalist takes us into the rift between Israeli society’s and the rest of the world’s perceptions of itself and its traumas, looking at the “Bibi Files” and “Naza”.

Documents from the Israeli army show that the documentary is a tool of manipulation which exploits unproven arguments to support a preconceived thesis and draws nonsensical and defamatory conclusions from completely distorted facts or outright fabrications

 Twenty-five minutes of applause at the Venice Film Festival marked the start of the popular uprising. This sort of film does not usually attract large audiences, but this could well be an exception. For reasons not entirely cinematic

Once immortalised on the big screen, a myth is much harder to dispel. All the more so when it is underpinned by an entire cultural and economic ecosystem. Venice was the perfect setting

“What these two filmmakers have done is cross a red line, even within Israeli discourse: deliberately fuelling the international campaign that seeks to portray Israel as the world’s biggest criminal.” Yossi Klein Halevi speaks