Rome, CapocciaVittorio De Sica’s Rome, a book on urban neorealism“Vittorio De Sica’s Rome” is a fine book by Valeria Arnaldi: a light yet intense journey that traces the actor and director’s family’s arrival in the capital, followed by the places dear to him – those he lived in, those he saw, and those linked to his cinematic vision.byAndrea Venanzoni10 OCT 26
Biology and DestinyWomen’s minds and stereotypes of difference. A story of a thousand clichésIf a difference depends on context, the fact that it appears early in life is not sufficient to attribute a biological origin to it. And expectations about how women and men should behave can influence both how we describe ourselves and what we do. A bookbyRaffaella Rumiati10 OCT 26
something to readLa PerlaA review of John Steinbeck’s book, published by Bompiani, 112 pp., 12 eurosbyAlberto Galimberti7 OCT 26
something to readSan Francesco, il barbaro di DioA review of Giovanni Testori’s book, published by Il Saggiatore, 110 pp., 14 eurosbyMatteo Moca7 OCT 26
something to readThe Secret SongA review of the book by Francesca Pilato, published by Florestano Edizioni, 88 pp., 18 eurosbyJacopo Guerriero7 OCT 26
something to readBreath, eyes, memoryA review of Edwidge Danticat’s book, published by Utopia, 224 pp., 19 eurosbyCarlo Crosato7 OCT 26
something to readGlowA review of Ilona Wisniewska’s book, published by Iperborea, 288 pp., 20 eurosbyFederica Bassignana7 OCT 26
the interviewFrom medieval guilds to Italy held hostage by trade unions. A chat with Sheilagh OgilvieAn economic historian debunks the rhetoric surrounding the efficiency and good work of trade guildsbyCarlo Stagnaro5 OCT 26
the interviewMarcello Fois wins the 64th Campiello Prize with his mature novelThe Sardinian writer and the immense distraction. “Literature serves to connect, something we never do. We are a country that confuses everything, complication with complexity, but the latter is necessary.”byGiuseppe Fantasia4 OCT 26
THE BOOKSo much has been written about Moses, yet his mystery remains elusive Drawing on the etymology of the Greek verb from which the word ‘phantom’ derives – and which relates to the semantic field of ‘appearing’ – Giacomo Petrarca explores the figure of Moses, starting from what he defines as an ‘excess of presence’ byMatteo Moca3 OCT 26