Twenty-five years after the death of Giuseppe Sinopoli, Robin Ticciati conducts the Philharmonia Orchestra London in a programme that combines Wagner, a rare score by Sinopoli himself and Dvořák’s Eighth Symphony 

Three weekly recommendations for exploring comics, audiovisual media and games, helping you find your way through the vast universe of pop culture and the stories that are shaping the contemporary imagination. Today: the comic "Il fantasma dell’Opera", the TV series "VisionQuest" and the video game "Silent Hill: Townfall"

 “My country is the anti-world that envies, hates and would like to swallow up the West. It is like a moon that stops reflecting the sun and decides to eclipse it. But if the West is proud of itself and stands up to it, it will force Moscow to abandon its expansionist ambitions.”

In the theatre, we laugh and we cry because it stems from the observation of human beings and is for human beings. For our frailties. Just as the Portuguese director Tiago Rodrigues managed to do so splendidly and movingly in his production “Il coro degli amanti”, recently seen at the Piccolo Teatro

Altneuland is being published in Italian for the first time under the title “Altneuland”. It is a description, in the finest detail, of the society that Herzl envisaged the Jews establishing in the land from which they originated, finally sheltered from the ravages of anti-Semitism that were increasingly plaguing Europe 

In "Bestie di mamma", Goudreault uses the page as a stage for the performance of a voice that is body – that is, dynamic matter that moves between the literary and the oral, slang and the canon, rap and literature, flow and density

“Every birth certificate is a time machine”. A conversation with the genealogist who has pieced together more than five hundred family histories. From archives to the descendants of emigrants, discovering one’s origins is a journey full of surprises