A review of the film by Thomas Khail, starring Dwayne Johnson, Catherine Laga’aia, Rena Owen and Frankie Adams

The summer film season has lived up to its finest traditions, from the days when people rarely went on holiday and only the wealthy had air conditioning at home. Things are looking worse from a production perspective, as the industry has so far capitalised on the summer for its longer daylight hours and mild climate

A review of the film by Destin Daniel Cretton, starring Tom Holland, Zendaya, Sadie Sink and Florence Pugh

Jane Schoenbrun’s film review, featuring Hannah Einbinder and Gillian Anderson

Following criticism of the Russian pavilion at the Biennale last spring, Kyiv is now taking issue with the film “Dau”, which is in the running for the Golden Lion at the Venice Film Festival. The Ukrainian Foreign Minister: “It’s propaganda”

The preliminary post-mortem has ruled out signs of violence; the cause of death remains to be determined. Three months ago, she published a memoir about her struggles with addiction and family bereavements. Her career began when she was a child, and she rose to fame with "Heroes" and "Nashville"

La bomba d'amore? “It’s an extraordinary and unsettling thriller,” says the film and television producer. To bring this summer’s B-movie (from Ceuta to Antonello da Messina’s stolen paintings) to the screen, he offers us a short screenplay: “A film in three acts and three deceptions: ‘La grande calda estate’”

Until the age of eighteen, he was an actor in high demand in film, television and advertising, well-known enough to feature in the crosswords of weekly magazines: “When I look back at the photos from that time, I can still hear Morricone’s music playing on set.” Interview

Cars, popcorn, huge outdoor screens and brilliant films: the Skyview Drive-In is one of the few still in operation in the United States and continues to uphold one of the great traditions of ‘made in the USA’ entertainment

The American translator savaged the film adaptation of Homer’s poem and “crashed the magazine’s website and fuelled a debate about the balance between commercial success and literary authenticity”, writes The New York Times