In this new era of Neapolitan readability, it is once again a Japanese man, Takashi Homma, who is coming to terms with the Centro Direzionale, designed in the 1980s by Kenzo Tange. Leafing through his book of photographs, Napoli Direzionale (C/O Bardi), one feels as though one is looking at photos of the protagonist of Wim Wenders’ film, Perfect Days