Cinema
New Cinema Mancuso •
My uncle Jens
Brwa Vahabpour’s film review, featuring Peiman Azizpour, Hamza Agooshi and Sarah Francesca Braenne
Uncle Jens arrives at night, in the pouring rain. He is at the home of his nephew Akam, a young man who lives in Norway and teaches children at a school. “I’m standing at your door,” he says. “I’ve called you loads of times,” he adds by way of apology. As soon as they sit down at a table, having changed into dry clothes, the question comes that every parent, after a period apart, asks their offspring: “Why are you so thin? Don’t they feed you?” There’s no point arguing; he just has to ask him to keep his voice down: “I’ve got flatmates,” explains the young man. And sure enough, a young man with hair well past his shoulders appears. Other minor disagreements follow: the fridge shelves; Uncle Jens smokes. When he goes out, he heads to a bar frequented by Kurdish emigrants like himself. There he meets compatriots who have tried to adapt; in Oslo they have jobs and a bit of money. Hussein, for example, who back home was a Peshmerga, fighting for Kurdistan’s independence. Uncle Jens – whose real name is Khdr – has never held a rifle, but was forced to abandon his children and family to save his own life. After a life of solitude—or so it seems—Akam meets a very fair-haired Norwegian woman who even flirts with him a little. Should he protect his uncle? Build a life of his own? Live as he did in Kurdistan? Or let himself be courted by a young woman who—as fate would have it, and above all for the sake of the plot—works at the immigration office?